Showing posts with label ann vandermeer. Show all posts
Showing posts with label ann vandermeer. Show all posts

Tuesday, November 1, 2011

Weird Fiction Review Launches! Now You Know Where To Go

Weird Fiction Review: Your Non-Denominational Source of the Weird launched today, the "brain-child" of authors/editors/friends Ann & Jeff Vandermeer! Why the exclamation point, you ask? Because this is awesomely exciting news! From the (I would assume, tentacled) desks of the Vandermeers:

"Hugo Award-winner Ann VanderMeer until recently edited Weird Tales Magazine and has co-edited several anthologies with her husband. Jeff’s last novel, Finch, was a finalist for the Nebula Award and World Fantasy Award. Together they edited the just-released The Weird: A Compendium of Strange & Dark Stories (Atlantic/Corvus), a 750,000-word, 100-year retrospective of weird fiction.

The site kicks off today with the following features:

---Exclusive interview with Neil Gaiman about weird fiction:

---First episode of exclusive “Reading The Weird” webcomic by Leah Thomas:

---Translation of Thomas Owen’s short story “Kavar the Rat” by Edward Gauvin:

---The full Table of Contents for The Weird compendium, with notes:

---Weird Gallery, Featuring the art of New Orleans artist Myrtle Von Damitz III:

Come back later this week and next for: “Weirdly Epic: A Century of First Lines,” exclusive interviews with Kelly Link and Thomas Ligotti, a feature on artist/writer Alfred Kubin, Kafkaesque entertainments, China Mieville’s “AFTERWEIRD: The Efficacy of a Worm-eaten Dictionary,”  and a feature on classic Weird Tales women writers. An ongoing “101 Weird Writers” feature will also begin next week.

Weirdfictionreview.com will initially focus on features related to The Weird compendium, but its primary mission over time will be to serve as an ongo­ing explo­ration into all facets of the weird, in all of its many formsa kind of “non-denominational” approach that appre­ci­ates Love­craft but also writers like Franz Kafka, Angela Carter, and Shirley Jack­son – along with the next gen­er­a­tion of weird writ­ers and inter­na­tional weird. Writer Angela Slatter serves as the managing editor."

Tuesday, October 11, 2011

Recently Part Two: Books & Music

If you'll remember in Part One of Recently, I discussed some of the most recent books and music I've read and listened to. And now the conclusion...


The Thackery T. Lambshead's Cabinet of Curiosities, edited by Ann and Jeff Vandermeer
This anthology is a sequel-of-sorts to the Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases, but is more involved, not just in creating the mythos surrounding Dr. Lambshead, but in the use of images and bigger, broader stories. Both anthologies are great examples of metafiction, but Curiosities succeeds in truly blurring the lines between "reality" and "fiction," including various artifacts discovered in Lambshead's home after his death (of which contained two Clarion classmates' - Tom Underberg and Kali Wallace - microstories). There's a great interview conducted by Cat Rambo on the SFWA site, discussing the anthology and many other things with the Vandermeers, here, here, and here. Some of my favorite stories/artifacts in this collection are Rachel Swirsky's "1943: A Brief Note Pertaining to the Absence of One Olivaceous Cormorant, Stuffed," Amal El-Mohtar's "The Singing Fish," Michael Cisco's "The Thing in the Jar," China Mieville's "Pulvadmonitor: The Dust's Warning," Naomi Novik's "Lord Dunsany's Teapot," and Ted Chiang's "Dacey's Patent Automatic Nanny." The titles alone should get your heart racing!

Black Fortys' Voodoo Moon feels like a lost Stones record (if Mick Jagger had a huskier voice, anyway). Josh Murphy - singer/songwriter of the band - and I go way back. All the way to dirty, dimly lit open mics before the Hangar was destroyed by a tornado. We've watched each other grow as songwriters and musicians and I can say without a doubt that this is his most definitive statement - so far. Heartbreak is all over  Voodoo Moon. Heartbreak and rugged country, the kind of twisted shapes only moonlight can make.

Gene Wolfe's The Book of the New Sun, Volume I & II, are considered classics of the "dying Earth" stories. Each of these volumes is made up two books, The Shadow of the Torturer and The Claw of Conciliator, and The Sword of the Lichtor and The Citadel of the Autarch, respectively. Severian is our highly unreliable narrator - a torturer exiled from his guild for showing mercy to a prisoner - and it is through his eyes we (mis)understand his world. I enjoyed a lot of the descriptions and future technology (Father Inire's mirrors, the botanical gardens, etc), but a few problematic issues arose for me: Sword of the Lichtor tended to ramble aimlessly, which led to more aimlessness in Citadel. And the female characters - of which there were four, I think, in the whole series - were set pieces more than characters, there only for Severian to desire.

Clap Your Hands Say Yeah's Hysterical is another of my favorite "remember 2004?" bands that has released one of the more mediocre records of the year. There's nothing bad about these songs at all - in fact, they're put together well in a very clean, concise order; the problem is is that there is nothing remotely ear-worthy about any of it. Hysterical is so inoffensive and diffused of life it's kind of like the light brown paint on your office walls: you only notice every now and again and not as a work of art but as a revelation of "Oh, the walls are light brown. That's nice."